To marble the paper

Now, we have went through all the important preparatory steps , we go on to the actual parocess of Marbling.  If this is your first attempt, start out with a few colours, at most three. Mix them and test them as per;
 Fill your through with size to about 3-6 cm. of size.  Make sure that it is warmish.

 Every time before tou want to marble a sheet, you must "skim"the size, by passing a thin slat of wood, or strip of paper over the surface of the size. This must be done, as the size develops a "skin", ( like in a soup), and this skin will interfere with your colours.

 
 Drop on your first colour. It should spread out .

 Drop on the second colour. It should spread over the first, and push it into a "vein" ( see the testing stage)

Drop on the third, if you have one.

What you have now made is called a "stone" pattern, due to it's resemblance to the coloured forms in stones like agate.

It is now time to transfer the design to a sheet of paper.

 Take a sheet of paper previously alumed,and hold it by opposite corners.
Lay the sheet ( A) , alumed side down,  on the bath.
This is done by putting the corner nearest to you on the surface of the bath. ( C) Then, let down the other corner (B) in one smooth motion.

The sheet may be removed from the bath. It is then rinsed gently with water, (to remove the size) and left to dry.

The sheet should be placed on a board, set at an angle, to dry. This allows the water and excess colours to run off. This makes the paper look brighter.
 You can then proceed to marble the next sheet, by repeating the above steps. Just remember to skim the size before appling the colours.

Once you have obtained a relative mastery of doing this, you can proceed to more complex patterns. Just remember,

Nothing ventured , Nothing gained!

Introduction

Since life is a difficult and thorny path

Where toil is the portion of man

We all should endeavour while passing along

To make it as smooth as we can

(On title page of “the mysterious marbler”, one of the early books on marbling)

A great hinderance to marbler today is the lack of information. Aldough literature on the subject today is quite stupendous, There is not one single full-length text on the traditional process of marbling online today.The information on this subject is mainly dispersed in little snippets here and there.  The few manuals that do exist, are very outdated, often centuries old, and even they themselves are parts of larger works on bookbinding.

So , what is marbling?

In it's broadest sense, marbling is the process of decorating paper , cloth and  with a design produced by floating colours on a liquid.

It woud be perhaps of interest here to give a little history here.

It is agreed that the most primitive form of this art is a japanese craft called suminagashi , in which inks mixed with pine-resin are floated on water, and occasionaly swirled around to produce a design

However, a more direct ancestor to the process we are concerned with here originated somewehere in The Ottoman   empire. it later spread to Turkey, where it is known ( and still practiced ) as ebru. The principle remained the same, but the water was thickened with a substance called gum tragacanth. This allowed the colours to be manupulated into more complex designs. The inks were also replaced by gouaches or watercolours mixed with a dispersant ( usually ox-bile) .

The process above was used

The above process,  was used ineurope till the mid 19thc, where a Hugarain, Josef halfer, discovered that carrageenan produced superior results to the gum. The process has changed very little since, excepting the introduction of acrylic colours .
The acrylilc colours have enabled the production of marbled cloth viable for the first time, and the fact that they are waterproof. Unfortunately, acrylics cannot produce some types of marbled paper, so you win some, and lose some.

Enough already! let us start!!!